Updated Script

<<The Last Man Standing.    Swift Getaway Productions

This is the main dialogue scene...the majority of the film is based around an action sequence.

Starring:

Georgie Watson: Jimmy 'JJ' Jones

Joe Haddow: Joseph 'The Bear' Bayter

Ellis Snell: Hernay Kapala 'Moss'

Ed Stow: Big Eddy

Jack Barber: Jackie B

plus many more...

Script:

(Ambient discussion) - In the background of the setting.

Narration: 

Close up of Jimmy Jones smoking

Jackie B : throwing chips into pile  i raise

Jimmy Jones :  you feeling lucky hernay

Jackie B: twisting a pocket knife

Hernay : Jimmy you joker

Jackie B : We playing cards or what ?

Hernay : Well we would be if that joker delivering the package actually got her on time

(Tracking shot) of Big Eddy with briefcase containing "drug money"  as he approaches gangs headquaters

Jackie B finally bout time

Big Eddy : Its all here

low angle shot of the breifcase with JJ in the background

Jimmy Jones: So its all going ahead yh

High angle shot of group putting their glasses together

Group opens the briefcase (group shot)

(close up) of content of the briefcase containing ripped up paper

Jimmy Jones: What the f*** !

Freeze frames of group drawing guns

(mid shot) of hernay cocking gun

(long shot) of Big Eddy making a run for it

(Tracking shot of bullet )

(Close up) of Big Eddy being shot in the head

Jimmy Jones : nice shot hernay

Hernay : Thanks

Jackie B: F*** the cops

(long shot) of cops entering the building

Jimmy Jones: Theirs the assholes

Machine gun firing at the cops

cops ducking

(tracking shot) of the gang leaving the room

(Jump scene/tracking shot) of cops chasing the gang

(mid close) up of Jackie B hiding under the table

(mid long shot) of cop searching the place

(two shot) showing the cop bieng shot off some stairs

(Low angle shot) of the cop falling to the floor

Jump scene

(Long shot) of Jackie B being shot in the back by a cop while attempting to make a run for it

(low angle shot) of body on the ground and cop approaching the body 

Guardian Article Key Points 30/01/11

The gaurdian – the daily

• its a digital newspaper for the ipad
• its been delayed but only for a matter of weeks not months
• Rupert murdoch(created ipad) eargly awaits the approach of the daily for the ipad

Title Sequence Of Oceans 11

There is approximately a five second gap between credits

Timeline Of Opening Scene
                                                                                                                       
8 secs in                     19 secs in               26 secs in                        30secs in
Production company   Opening credits    Production company     Production company
(Warner Bros) on                                    (NPV Entertainment)     (AJW productions)
screen for 6 seconds                               on screen for 2 seconds   on screen for 2 seconds

                                                                                                                         
34 seconds in                     1 min 27seconds in        
opening credits continue      Title of film (on screen for 4seconds)

Digital Storyboard

Extreme close up of waiters name tag
to show the audience who he is.







Then there's an tracking shot of the waiter walking
through the restaurant








Waiter arrives at table and offers drinks to group of mobsters
group shot

Two shot of  the Bear speaking to Jimmy Jones

Close up  of waiter whispering something into Jackie B's ear.








Mid Shot of The Bear

Two Shot Moss & The Bear speaking

Mid shot of Moss

Mid Long Shot of Jimmy Jones








Long Shot of The Bear








Long Shot of waiter (Big Eddy) leaving












Tracking Shot of Toni walking up to the table


 

Mid shot of Toni sitting down at the table

Sound and Lighting - Film Project

Sound and Lighting - Film Project

Diegetic:
Laughter (scattered), glasses clinking, cards shuffling, knifes and forks clinking (all distant and not extremely dominating)

Dialogue - ambient chatting, as well as main narrative.

Non Diegetic:
SFX - Gunshots, Bullets, Flesh Wounds, Kitchen sounds (distant)

Music: Jazz Fussion - played by band. 70s funk/disco is played when shooting starts. We have a list of tracks that we may use. We now just have to choose the most appropriate music.

Sound Effects

http://www.pacdv.com/sounds/ambience_sounds.html

http://www.royaltyfreemusic.com/sound-effects.html

Pictures Of Setting

Sound Analysis Of Casino Royale

The first thing we hear is a diegetic sound of a door opening which  links to scene we see of a guy opening the door of his car he then closes the door. The scene cuts to a picture of him heading up an elevator when then get a non diegetic sound which sounds quite  its a very high pitched sound which helps the director to build tension and making the audience feel anxious like some things not quite right. we then hear a diegetic sound of him walking we then hear him open the door we then hear a high pitched sound that helps to build up the tension and links into what's happing in the seen showing an open safe. We then hear some dialogue as 007 begins to speak in a rather low pitched voice which is taken in a rather threatening way.  When then hear another high pitched sound to symbolise conflict between the two characters. We then get the dialogue of the guy speaking in a more sophisticated manner as if he's not afraid of 007 threatening tone. We then hear a sting which is designed to add more emphasis to the flash back of a fight that's happen we also hear the diegetic sound / parrel sound of punching kicking and smashing the next thing we hear is a gun preparing to fire as the sting ends. we then hear a high pitched sound effect which helps to build up tension within the scene we then here the guy speak we then hear  the next sound is a low pitched sound of the empty gun being fired, then we hear a low pitched sound effect being used to build tension which links into the scene of 007 holding the bullets for the gun we then hear some dialogue from double 007 we then here some dialogue between the two men and then it cuts again to show a flashback which we hear the sting again a diegetic sounds of kicking and punching between the two men.

Film Setting

The film Is going to be set in the 70s-80s. We feel as a group that It will be easier this way as we won't have to create an authentic looking 30s restaurant. Instead we have still opted for the same Idea for location and idea just set much later on in history.

Script

<The Last Man Standing.    Swift Getaway Productions

This is the main dialogue scene...the majority of the film is based around an action sequence.

Starring:

Georgie Watson: Jimmy 'JJ' Jones

Joe Haddow: Joseph 'The Bear' Bayter

Ellis Snell: Hernay Kapala 'Ghost'

Ed Stow: Big Eddy 

Lawrence Hart: Antonio Frebarro 'Toni'

Jack Barber: Jackie B

plus many more...

Script:

(Ambient discussion) - In the background of the setting.

Narration: 

Close up of Eddys name tag, which then pans out to him carrying a tray,wearing a waiters outfit (black suit, bow tie etc.....etc.  

Eddy then turns around to walk across the bar. 

Extra: Hey Eddy, get yourself something nice from me.

Extra: Hey watch it! ..oh its you Edd. - Edd is carrying tray of drinks.

(background chatter)

Introduction to each character - Screen shot of each person.

Eddy: Whispers into Jackie B's ear (creates mystery)

Group at the card table (Joseph, Jimmy etc.): Eddy!! Get over here

Joseph: Yeah Eddy can you get us, ehh... just get us the usual ...oh and charge it to my tab.

Jimmy: You're too kind (laughing sarcastically)

Joseph: Ahh quit busting my balls.. (laughing)

Jackie: Stick or Twist Hernay?

Hernay: Ehhh Twist please..

Jackie: Certainly Sir..(laughing)

Hernay: You fucking joker.

Jackie: What you doing Joe?

Joseph: Just sorting my shoe - the camera catches a glimpse of a gun Joe has holstered around his ankle.

Jackie B: So what you doing?

Joe: I'll Stick

Jimmy: Stick? haha Alright there ya blouse   (laughing)

Joe: Haha..you should see my hand

Jackie: And you H?

H: I'm pretty good...so I'll stick.

Jackie: Yeah whatever

Eddy enters with drinks tray.

Hernay: Finally Edd...jeez whats with you today

Edd: Just cant beleive you guys can forget about it so quickly.

Joe: Forget about what?

Jimmy: Yeah What?

Edd: About the Job that we pulled the other day...You know the one that went wrong!

Hernay: Woah..Woah calm down!

Jimmy: Yeah ..lets not make a scene.

Ant enters

Ant: Make a scene..what in this place! Ahhhaaaa (laughing)

Joe: Toni my friend...just how are you doing?

Group: Hey..

Ant: Im good thankyou.

Hernay: Then sit down, have a drink

Ant: You know what...maybe I will. Infact Jackie deal me in.

Jackie: Sure sir

Ant: Please... (reassures Jackie)

Joe: So Toni

Ant: JJ, hows the mrs? (Grinning mysteriously)

Jimmy: Guys,Guys....shes fine ;) (laughing sarcastically, looks around for attention)*group laughs*

Joe: I bet she is!

Hernay: Hey edd, pass me that brandy.

Edd: right away buddy.

Hernay: oh and one of those fine cigars

(Ed passes the cigar over and as hernay creeps up to recieve it the camera catches a gun strapped to his waist)

[Rest of the group Laugh]

Discrimination
There is no undiscriminating  language or behaviour unless
clearly disapproved of.

Drugs
No references to illegal drugs or drug misuse unless
they are infrequent and innocuous, or there is a clear
educational purpose or anti-drug message suitable
for young children.

Horror
Scary sequences are mild, brief and unlikely to
cause undue anxiety to young children. The outcome
should be reassuring to the audience.

Imitable behaviour
There is no dangerous behaviour which young
children are likely to copy. No emphasis on realistic
or easily accessible tools or weapons.

Language
Usually has infrequent use only of very mild bad language.

Nudity
very rarely contains natural nudity, and has no sexual context whatsoever .

Sex
Mild sexual behaviour (for example, kissing) and
references only (for example, to ‘making love’).

Theme
While problematic themes may be present, their
treatment must be sensitive and appropriate for a
younger target audience such as toddlers and very young children.

Violence
Usually contains some mild violence. Occasional there's a mild threat or
menace only



Discrimination
Discriminatory language or behaviour is unlikely to
be acceptable unless clearly disapproved of or in an
educational or historical context.  Discrimination by
a character with which children can readily identify
is unlikely to be acceptable.

Drugs
References to illegal drugs or drug misuse must be
innocuous or carry a suitable anti-drug message.

Horror
Frightening sequences should not be prolonged or
intense and should not build up to much suspense. Fantasy settings may be a mitigating factor.

Imitable behaviour
No detail of potentially dangerous behaviour which
young children are likely to copy. No glamorisation
of realistic or easily accessible weapons.

Language
Usually contains mild bad language only.

Nudity
More frequent use of natural nudity, but again with no sexual context.

Sex
Sexual activity may be implied, but should be
discreet and infrequent. It should mainly use mild sex references and
innuendo only.

Theme
Where more serious issues are featured (for example,
domestic violence) nothing in their treatment should
condone unacceptable behaviour.

Violence
Contains use of more moderate violence, without detail, may be allowed,
if justified by its context (for example, history,
comedy or fantasy)





Discrimination
Discriminatory language or behaviour is unlikely to
be acceptable unless clearly disapproved of or in an
educational or historical context.  Discrimination by
a character with which children can readily identify or relate to
is less likely to be acceptable.

Drugs
References to illegal drugs or drug misuse must be
innocuous or carry a suitable anti-drug message.

Horror
Frightening sequences should not be prolonged or
intense. Fantasy settings may be a mitigating factor.

Imitable behaviour
No detail of potentially dangerous behaviour which
young children are likely to copy. No glamorisation
of realistic or easily accessible weapons.

Language
Usually contains more moderate use of  bad language only.

Nudity
Usually contains natural nudity, but with no sexual context.

Sex
Sexual activity may be more implied, but should be
discreet and infrequent. Should contain more mild sex references and
innuendo only.

Theme
Where more serious issues are featured (for example,
domestic violence) nothing in their treatment should
condone or promote unacceptable behaviour.

Violence
More Moderate violence, with some detail, may be allowed,
if justified by its context (for example, history,
comedy or fantasy).

Discrimination

The work as a whole must not endorse discriminatory 

language or behaviour. 

Drugs

Drug taking may be shown but the film as a whole must not

promote or encourage drug misuse. The misuse of easily

accessible and highly dangerous substances (for example,

aerosols or solvents) is unlikely to be acceptable.

Horror

Strong threat and menace are permitted unless sadistic 

or sexualised.

Imitable behaviour

Dangerous behaviour (for example, hanging, suicide and

self-harming) should not dwell on detail which could be

copied. Easily accessible weapons should not be glamorised to much.

Language

There is usually be frequent use of strong language (for example,

‘fuck’). The strongest terms (for example, ‘cunt’) may be

acceptable if justified by the context but are hardly ever used. Aggressive or repeated

use of the strongest language is unlikely to be acceptable.

Nudity

Nudity is usually  allowed in a sexual context but without

strong or in depth detail. There are no constraints on nudity in a 

non-sexual or educational context.

Sex

Sexual activity may be portrayed without strong detail.

There may be strong verbal references to sexual behaviour,

but the strongest references are unlikely to be acceptable

unless justified by context. Works whose primary purpose is

sexual arousal or stimulation are usally unlikely to be acceptable.

Theme

No theme is prohibited, provided the treatment is 

appropriate for the target audience.

Violence

Violence may be strong but should not dwell too long on the infliction

of pain or injury. The strongest gory images are unlikely to

be acceptable. Strong sadistic or sexualised violence is also

unlikely to be acceptable. 

There may be detailed verbal references to sexual violence

but any portrayal of sexual violence must be discreet and

have a strong contextual justification.

In line with the consistent findings of the BBFC’s public

consultations and The Human Rights Act 1998, at ‘18’ the

BBFC’s guideline concerns will not normally override 

the principle that adults should be free to choose their

own entertainment. Exceptions are most likely in the 

following areas:

• where the material is in breach of the criminal law, 

or has been created through the commission of a 

criminal offence

• where material or treatment appears to the BBFC to 

risk harm to individuals or, through their behaviour, 

to society – for example, any detailed portrayal of 

violent or dangerous acts, or of illegal drug use, 

which may cause harm to public health or morals. 

This may include portrayals of sexual or sexualised 

violence which might, for example, eroticise or 

endorse sexual assault

• where there are more explicit images of sexual 

activity which cannot be justified by context. Such 

images may be appropriate in ‘R18’ works, and in 

In the case of video works (including video games),

which may be more accessible to younger viewers,

intervention may be more frequent than for cinema films. 

Sex education at ‘18’

Where sex material genuinely seeks to inform and 

educate in matters such as human sexuality, safer 

sex and health, explicit images of sexual activity may 

be permitted.

Title Sequence Of Mission Impossible

There is a four second gap between credits in this particular title sequence. Title credits appear 26 seconds into the film.

Role's

Sound editor - Me
Editor -Ellis
Director/Producer - Joe
Cinematographer  - Georgie

Purpose of a Sound editor , Editor ,Producer/Director,Cinematographer


Sound editor

Basic To Do List For Blog

add script
add storyboard = timeline
add new production company logo
add role in film
+ add 2 more title sequences

Original Production Company Logo + New Production company logo

We decided to change the original production company name of pizza planet productions to swift get away productions as it better fitted in with the type of film we're doing.

New Production Company logo